By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.

The Running Man

Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.

Raw Deal

Philo Beddoe, an easygoing truck driver and brawler, and his 165-pound orangutan pal Clyde get into more mischief in this faster and funnier sequel to Every Which Way but Loose. Clint Eastwood returns as Philo, the now-retired bare knuckle fighter. But he's lured out of retirement by a new contender, and mobsters kidnap his girl to ensure he'll turn up for the showdown. A motorcycle gang and Clyde the orangutan all add to the 'fun'.

Any Which Way You Can

A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.

Red Heat

A simple man is turned into a genius through the application of computer science.

The Lawnmower Man

Two detectives observe an escaped convict's ex-girlfriend, but complications set in when one of them falls for her.

Stakeout

A slow-witted Arizona cop (Clint Eastwood) is elected to go to Las Vegas to escort a prostitute (Sondra Locke), who is marked for death by the mob, back to Phoenix as a potential trial witness. Eastwood is Phoenix cop Ben Shockley, whose dream of breaking “the big case” has faded over time. His assignment to escort from Las Vegas “a nothing witness for a nothing trial” seems like another meaningless exercise. Until the fireworks start. The witness is a hardened hooker (Locke) whom everyone—including Vegas oddsmakers—wants dead. Trapped between both sides of the law, the two must survive an obstacle course of raging gunfire, blazing cars, swooping helicopters, murderous ambushes, crazed bikers and crooked police. Building to a ferocious finale that shoots an armored bus to smithereens with more than 8,000 bullets, Eastwood runs The Gauntlet into an explosive movie embodying its title with a vengeance. The Gauntlet is one trip you can’t miss.

The Gauntlet

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