For Norman and Ethel Thayer, this summer on golden pond is filled with conflict and resolution. When their daughter Chelsea arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years.

On Golden Pond

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

Norma Rae

Out drinking one night after a fight with her boyfriend, three men brutally rape Sarah Tobias in a bar while people watch and cheer. District Attorney Kathryn Murphy takes the case; however, she allows the rapists to receive a mild sentence. A distraught Sarah decides to seek punishment for the men who witnessed and encouraged the rape. To get justice, Sarah must take the stand and revisit the night of her attack.

The Accused

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

The Big Chill

Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.

Ordinary People

Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.

Terms of Endearment

The pinnacle of the decades-long collaboration between producer Ismail Merchant and director James Ivory, Howards End is a luminous vision of E. M. Forster’s cutting 1910 novel about class divisions in Edwardian England. Emma Thompson won an Academy Award for her dynamic portrayal of Margaret Schlegel, a flighty yet compassionate middle-class intellectual whose friendship with the dying wife (Vanessa Redgrave) of rich capitalist Henry Wilcox (Anthony Hopkins) commences an intricately woven tale of money, love, and death that encompasses the country’s highest and lowest social echelons. With a brilliant, layered script by Ruth Prawer Jhabvala (who also won an Oscar) and a roster of gripping performances, Howards End is a work of both great beauty and vivid darkness, and one of cinema’s best literary adaptations.

Howards End

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