Just decades ago, flophouses in New York housed nearly 25,000 men living on the margins of society. Today few remain. Filmmaker Michael Dominic takes his camera behind the doors of the Sunshine Hotel, one of the few remaining affordable refuges for the destitute and out of luck, a world that has seemingly stood still for more than eight decades. Here the hotel residents live in tiny four-by-six-foot cubicles crowned by a ceiling of chicken wire. Focusing on several of the Sunshine’s denizens – including a transgender woman saving all her money for additional surgeries and a hotel manager who doubles as its resident philosopher – Dominic presents a non-judgmental snapshot of a diverse group of characters as memorable as the characters at Harry Hope’s bar in Eugene O’Neill’s “The Iceman Cometh.”

Sunshine Hotel

United States

Albania

Algeria

Andorra

Angola

Antigua and Barbuda

Argentina

Australia

Austria

Azerbaijan

Bahamas

Bahrain

Barbados

Belarus

Belgium

Belize

Bermuda

Bolivia

Bosnia and Herzegovina

Brazil

Bulgaria

Burkina Faso

Cameroon

Canada

Cape Verde

Chad

Chile

Colombia

Congo

Costa Rica

Cote D'Ivoire

Croatia

Cuba

Cyprus

Czech Republic

Denmark

Dominican Republic

Ecuador

Egypt

El Salvador

Equatorial Guinea

Estonia

Fiji

Finland

France

French Guiana

French Polynesia

Germany

Ghana

Gibraltar

Greece

Guatemala

Guyana

Holy See

Honduras

Hong Kong

Hungary

Iceland

India

Indonesia

Iraq

Ireland

Israel

Italy

Jamaica

Japan

Jordan

Kenya

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Latvia

Lebanon

Libyan Arab Jamahiriya

Liechtenstein

Lithuania

Luxembourg

Macedonia

Madagascar

Malawi

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Mali

Malta

Mauritius

Mexico

Moldova

Monaco

Montenegro

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Mozambique

Netherlands

New Zealand

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Nigeria

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Palestinian Territory

Panama

Papua New Guinea

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Sunshine Hotel

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