Nana Swiczinsky photocopied her original, geometric cell (a black ellipse) and during the process moved it around resulting in deformations. The images so formed are put into short series, so that the order given to the variations result in more or less continuous movement. It is a re-translation of the manipulation during the photocopying process into cinematographic movement. The animation results in vibrations and distortions of the graphic screen, it warps the two-dimensional surface into quixotic impressions of space and at times completely dissolves the strict geometry into flowing lines.

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