In the centre of the gallery is a pavilion housing the 35mm film Paradise (2021), the final work of the trilogy. It is the first time that Paradise is being shown as an artwork outside of its staging in the ballet. The soundtrack is a digital simulation of Thomas Adès’s orchestrated score Paradiso. Known technically as a MIDI, the computer simulation became an invaluable tool while the orchestra were unable to record the music during the Covid-19 lockdowns. Paradise was filmed in the extended format Cinemascope and is entirely abstract, drawing on the circular and planetary motifs present in Dante’s ‘Paradiso’. The film’s rich colours were taken from the palette of William Blake (b. 1757 – d. 1827, London) and can also be seen in the ten hand-printed silkscreen prints representing the planetary states in the corridor.

Paradise

United States

Albania

Algeria

Andorra

Angola

Antigua and Barbuda

Argentina

Australia

Austria

Azerbaijan

Bahamas

Bahrain

Barbados

Belarus

Belgium

Belize

Bermuda

Bolivia

Bosnia and Herzegovina

Brazil

Bulgaria

Burkina Faso

Cameroon

Canada

Cape Verde

Chad

Chile

Colombia

Congo

Costa Rica

Cote D'Ivoire

Croatia

Cuba

Cyprus

Czech Republic

Denmark

Dominican Republic

Ecuador

Egypt

El Salvador

Equatorial Guinea

Estonia

Fiji

Finland

France

French Guiana

French Polynesia

Germany

Ghana

Gibraltar

Greece

Guatemala

Guyana

Holy See

Honduras

Hong Kong

Hungary

Iceland

India

Indonesia

Iraq

Ireland

Israel

Italy

Jamaica

Japan

Jordan

Kenya

Kosovo

Kuwait

Latvia

Lebanon

Libyan Arab Jamahiriya

Liechtenstein

Lithuania

Luxembourg

Macedonia

Madagascar

Malawi

Malaysia

Mali

Malta

Mauritius

Mexico

Moldova

Monaco

Montenegro

Morocco

Mozambique

Netherlands

New Zealand

Nicaragua

Niger

Nigeria

Norway

Oman

Pakistan

Palestinian Territory

Panama

Papua New Guinea

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